American Pachuco: The Legend of Luis Valdez
Feb
6
to May 15

American Pachuco: The Legend of Luis Valdez

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American Pachuco: The Legend of Luis Valdez traces the life and legacy of one of the most influential figures in Chicano theater and film, and it arrives in Southern California fresh off a major Sundance Film Festival win. Directed by David Alvarado, the documentary took home both the Festival Favorite Award and the Audience Award for U.S. Documentary at the 2026 Sundance Film Festival, cementing its place as one of the year’s most crowd-connecting nonfiction films.

The film follows Valdez’s path from migrant farmworker to cultural force, beginning with the creation of El Teatro Campesino in the 1960s, when performances staged on flatbed trucks helped organize farmworkers alongside Cesar Chavez. From there, Valdez broke barriers with Zoot Suit, the first Chicano play on Broadway, and later reached global audiences with La Bamba, a landmark film that brought Mexican American life to the mainstream on its own terms. Through it all, Valdez persisted in the face of political pushback and industry doubt, opening doors for generations of Latino storytellers.

Alvarado tells this story with energy and style, blending rare archival footage, split screens, and a sharp pachuco narrator who adds humor and perspective. The result is a lively portrait of an artist whose work insists that Chicano history is American history, and that representation onstage and onscreen can spark real change.

American Pachuco: The Legend of Luis Valdez has its Southern California premiere at the 41st Santa Barbara International Film Festival. Screenings take place Wednesday, Feb. 11, at 8:20 p.m. and Friday, Feb. 13, at 11:20 a.m. at the Film Center, Auditorium 2. Filmmakers and participants will be in attendance for Q&As following both screenings.

On April 10, it will play at the Boulder International Film Festival.

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Havana Film Festival New York 2026
May
1
to May 7

Havana Film Festival New York 2026

HFFNY is back—and Opening Night is not to be missed!

The festival opens with the New York Premiere of It Would Be Night in Caracas (Aún es de Noche en Caracas), directed by Mariana Rondón and Marité Ugás.

From the directors of Pelo Malo and El Chico que Miente, comes this gripping tale of survival and displacement set against the backdrop of Venezuela’s 2017 protests.

From May 1–7, 2026, the 26th Havana Film Festival New York brings you 30+ powerful films, kicking off with a red-carpet Opening Night premiere that promises drama, talent, and an electric start to the festival.

OPENING NIGHT:

It Would Be Night in Caracas | Aun es de Noche en Caracas

Friday, May 1 | 6:00 PM

DGA New York Theater

Based on the novel by Karina Sainz Borgo and produced by Edgar Ramírez, this gripping and exciting thriller follows Adelaida (Natalia Reyes) as she returns home during Venezuela’s 2017 protests, only to find her life overtaken by violence and displacement.

A powerful and intimate portrait of survival, the film has earned multiple international awards, including honors at the Huelva Latin American Film Festival and the Palm Springs International Film Festival.

PROGRAM HIGHLIGHTS

Cinema of Belonging: Jewish Stories from Latin America

A compelling selection of films from Brazil, Argentina, Cuba, and Colombia exploring migration, memory, and identity, accompanied by a special panel discussion.

Latin Beats on Screen: From Tango & Salsa to Hip-Hop & Flamenco

A vibrant program where music and dance become forms of resistance and cultural expression, celebrating artists who redefine identity through rhythm and storytelling.

Where Cinema Begins: Honoring EICTV & FUC

A tribute to two of Latin America’s most influential film schools—EICTV (Cuba) and FUC (Buenos Aires)—including a special homage to Manuel Antín with a screening of Circe, based on a story by Julio Cortázar.

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Our Land (Nuestra Tierra)
May
1
to May 31

Our Land (Nuestra Tierra)

In her first documentary feature, Argentine auteur Lucrecia Martel (ZAMA, THE HEADLESS WOMAN and LA CIÉNAGA) investigates the 2009 murder of Indigenous activist Javier Chocobar—shot while defending his community’s land from capitalist raiders—and the systematic dispossession of the Chuschagasta people he represented. Martel alternates between footage of this controversial, long-delayed (9 years after the incident) trial, which hinges on a shaky cell-phone video; testimonials from Chuschagasta community members; and aerial footage of the stunning Tucumán province Chocobar fought to defend. 

OUR LAND had its world premiere at the 2025 Venice International Film Festival and went on to screen at the New York Film Festival, BFI London Film Festival (where it won the prize for Best Film), and more. It was granted a special award by the National Society of Film Critics.

Film Forum is pleased to present the U.S. theatrical premiere of Lucrecia Martel’s OUR LAND (NUESTRA TIERRA) on Friday, May 1.

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Mad Bills to Pay (or Destiny, dile que no soy malo)
Apr
17
to Apr 30

Mad Bills to Pay (or Destiny, dile que no soy malo)

In a tight-knit Dominican American community in The Bronx, Rico (Juan Collado) is hustling his way through the summer, selling nutties out of a beach cooler and chasing girls without a care in the world. But when his teenage girlfriend, Destiny (Destiny Checo), begins crashing at his place with his family, turning their small apartment into a stage for their messy, complicated young love, it’s only a matter of time before they’re hit with the sobering reality of growing up too fast in a city that waits for no one. 

Writer-director Joel Alfonso Vargas turns his hometown into the heartbeat of his debut feature, teaming up with street-cast talent Collado and Checo, to deliver a raw and deeply authentic look at life in The Bronx. With humor and grit, Vargas paints a tender portrait of the chaos and charm of urban life, and the ups and downs of youthful abandon when things take an unexpected turn.

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Charlotte Latino Film Festival 2026
Apr
16
to Apr 26

Charlotte Latino Film Festival 2026

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The Charlotte Latino Film Festival is back for its third edition from April 16–26.

Presented by Cine Casual, this year’s festival is anchored by a powerful theme: joy in resistance. Through 12 feature films and a local short, CLFF brings together stories that reflect resilience, identity, and the transformative power of storytelling in the face of adversity.

Explore the full lineup, grab your tickets, and invite your friends!

Opening Night (4/16)

Kick off the festival with the Southeast U.S. premiere of the gripping political thriller Aún es de noche en Caracas (It Would be Night in Caracas), a deeply human story about displacement, dignity, and the fight to exist in a collapsing city. >>TICKETS

Hecho Aquí (4/17)

Fresh off his Sundance win, North Carolina-raised filmmaker William D. Caballero returns home to present TheyDream—a visually striking, deeply personal exploration of grief, memory, and artistic purpose. Stick around for a conversation with the director. >>TICKETS

Closing Night (4/25)

Dante’s Inferno, reimagined in Cali, Colombia. Retro-futuristic, tropical-punk fever dream Llueve sobre Babel (Rains Over Babel) closes the festival with a bang, followed by the closing night party at Divine Barrel Brewing. >>TICKETS

The Changebaker (4/26)

Catch Manolo Betancur’s powerful short documentary, including a post-screening conversation with Manolo and filmmaker Courtney Dixon. >>TICKETS

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Chicago Latino Film Festival 2026
Apr
16
to Apr 27

Chicago Latino Film Festival 2026

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The Festival opens on Thursday, April 16, with the Chicago premiere of It Would Be Night in Caracas (Aún es de noche en Caracas), a powerful 2025 drama directed by Mariana Rondón and Marité Ugás, and concludes on Monday, April 27, with the Chicago premiere of the Ecuadorian comedy The Dog, My Father and Us (Nosotros, mi papá y el perro), directed by Pablo Arturo Suárez.

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TheyDream
Apr
10
to Apr 26

TheyDream

After 20 years of chronicling his Puerto Rican family, a director and his mother face devastating losses. Through tears and laughter, they craft animations that bring their loved ones back to life, discovering that every act of creation is also an act of letting go.

In TheyDream, director William David Caballero brings together decades’ worth of his family’s stories in a profoundly moving and creative work of intergenerational healing through art. At its center is Milly, Caballero’s mother, who dutifully bore the responsibility of caregiving for her father, mother, and husband as they dealt with aging and various health concerns. Working in close collaboration with Milly, Caballero uses miniatures and motion capture technology to transform old home movies and recorded conversations with departed family members into sometimes whimsical, often bittersweet animated sequences. Demonstrating deep vulnerability and candor, TheyDream and its stories of familial love and loss are both uniquely personal and universally resonant.

FESTIVAL SCHEDULE

MIAMI FILM FESTIVAL - screening on April 10th @ 9 pm

CHARLOTTE LATINO FILM FESTIVAL - screening on April 17th @ 7 pm

CHICAGO LATINO FILM FESTIVAL - screening on April 18th @ 6 pm and April 19th @ 3:30 pm

MILWAUKEE FILM FESTIVAL - screening on April 21st @ 8pm and April 22nd @ 2 pm

ZEITGEIST MINNESOTA FILM FESTIVAL - screening on April 23rd @ 7:30 pm

IMAGEOUT ROCHESTER - screening on April 25th @ 2:45 pm

ATLANTA FILM FESTIVAL - screening on April 26th @ 4 pm

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The Blue Trail (O Último Azul)
Apr
2
to Apr 30

The Blue Trail (O Último Azul)

The Blue Trail is the latest film from visionary director Gabriel Mascaro (Neon Bull), winner of the Silver Bear Grand Jury Prize at the Berlin Film Festival.

Set in a near-future Brazil where the government relocates seniors to isolated colonies under the guise of economic “well-being,” this striking dystopian drama follows 77-year-old Tereza, who refuses to accept forced retirement. Determined to fulfill a lifelong dream of flying, she embarks on a clandestine journey through the Amazon, encountering unexpected companions who help her reclaim a sense of freedom.

Anchored by a powerful lead performance from Denise Weinberg and co-starring Rodrigo Santoro, the film unfolds as a lyrical, immersive odyssey about resilience, connection, and the courage to defy ageist and authoritarian constraints.

Opens Thursday, April 2
New York, NY: Angelika Film Center

Opens Friday, April 3
Los Angeles, CA: Landmark Nuart Theatre

Screens Saturday, April 11
Miami, FL: Koubek Center, Miami Film Festival

Opens Friday, April 24
San Francisco, CA: Roxie Theater
Chicago, IL: Gene Siskel Film Center
San Diego, CA: Angelika Carmen Mountain

Screens, Saturday, April 25
Houston, TX: Museum of Fine Arts, Houston

Followed by additional cities.

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San Diego Latino Film Festival
Mar
18
to Mar 22

San Diego Latino Film Festival

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San Diego Latino Film Festival Celebrates 33 Years of “Cine Sin Fronteras”

Honoring Latino Stories, Culture, and Creativity Through Film, Music, Art, and Culinary Experiences

For over three decades, the San Diego Latino Film Festival (SDLFF) has served as a vital platform for storytelling, uniting filmmakers, artists, and audiences in a celebration of Latino culture’s richness and diversity. 

As it returns for its 33rd edition from March 18th to March 22nd, 2026, at MACSD’s Digital Gym (1100 Market St, SD, CA 92101), SDLFF continues to connect communities, honor heritage, and inspire future generations.

What began as a small student film festival in 1994 has grown into one of the most respected Latino film festivals in the country, showcasing the best in Chicano, Latinx, and Latin American filmmaking. This year’s lineup features over 100+ films, spanning drama, comedy, documentary, animation, and classic works. Each film offers a unique perspective on identity, family, history, and the ever-evolving Latino experience.

Beyond the screen, SDLFF elevates the festival experience with exclusive, high-caliber cultural events that celebrate Latino artistry in its finest forms. With a dynamic mix of film, music, art, and cuisine, SDLFF is a true celebration of the Latino experience—past, present, and future. We invite you to join us for this unforgettable journey through storytelling, culture, and community.

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Houston Latino Film Festival
Mar
18
to Mar 22

Houston Latino Film Festival

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The Houston Latino Film Festival is an organization dedicated to developing, promoting and increasing awareness of Latine culture among Latines and other communities by presenting a variety of art and films to the Houston area.

During the festival, films from all over the world will be screened with programming that represents the great diversity of themes and genres of Latino and Hispanic filmmaking & storytelling. The five-day festival also features opportunities for the audiences to participate in discussions with the directors at the screenings as well as a series of special events highlighting the diversity of the Latino culture. 2026 will mark the tenth edition of the Houston Latino Film Festival.

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Oca
Feb
25
7:00 PM19:00

Oca

Oca, the debut feature from Mexico and Argentina by filmmaker Karla Badillo, brings a quietly mystical edge to contemporary Latin American cinema. The film, which won the Silver Hugo Award in the New Directors Competition at the Chicago International Film Festival, screens Wednesday, Feb. 25, at 7 p.m. at the Fox Tucson Theatre in downtown Tucson, with a Q&A featuring Badillo following the screening.

Set against a landscape shaped by ritual and uncertainty, Oca follows Rafaela, a young nun living in a shrinking religious congregation. When a new archbishop arrives, she sets out on a pilgrimage that gradually becomes more personal and unpredictable. Along the road, Rafaela meets fellow travelers from vastly different backgrounds, and each encounter nudges her toward difficult questions about faith, devotion, and what it means to keep going when belief starts to shift.

Starring Natalia Solián, Cecilia Suárez, and Raúl Briones alongside nonprofessional actors, the film blends realism with allegory, using a gentle, often darkly poetic tone to reflect on religion, power, and inner resolve. Oca feels both intimate and expansive, offering a fresh, female-centered take on spiritual cinema that leans into doubt as much as conviction.

The screening takes place at the Fox Tucson Theatre, 17 W. Congress St., Tucson, Arizona. Tickets are $12.

Cinema Tropical and the Center for Latin American Studies at the University of Arizona present Cinema Tucsón, a cultural initiative launched in 2021, featuring monthly screenings of Mexican films at the historic Fox Tucson Theatre.

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The Reel Film Club: Underdog (Correr para vivir)
Feb
24
6:00 PM18:00

The Reel Film Club: Underdog (Correr para vivir)

In his feature film debut, Gerardo Dorantes explores how organized crime has penetrated the heart of the Tarahumara community in the state of Chihuahua, Mexico through the story of two highly competitive brothers who want to become the best runners in the world. Their dream comes to an end when they are violently recruited by a dangerous cartel as drug runners, putting their family at risk. They have no choice but to join forces to finally take control of their own destiny. Based on a true story.

Mexico, 2023/103 mins • Directed by Gerardo Dorantes • Spanish w/ English Subtitles

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Punku
Feb
18
8:00 PM20:00

Punku

Punku, the sophomore fiction feature from Peruvian filmmaker J.D. Fernández Molero, makes its North American premiere at Anthology Film Archives in New York City on Wednesday, Feb. 18, with the director in attendance. The screening is part of Lost & Found: Cine(ma)s Latinoamericanos Re-Unidos, the ongoing series spotlighting vital Latin American films that rarely get U.S. premieres.

Set in the Peruvian Amazon lowlands and the city of Quillabamba in the Cusco region, Punku takes its name from the Quechua word for “gateway,” a fitting clue to a film that moves between the everyday and the uncanny. The story follows Meshia, a Matsigenka Indigenous teenager, who discovers Iván, a young boy who disappeared two years earlier and was presumed dead. Determined to help him, she leads him on a difficult journey upriver and into the mountains so he can receive urgent medical care to save his fading eyesight.

As Iván struggles with trauma and unsettling dreams, Meshia becomes drawn to the city and its promises, entering a local beauty pageant fueled by ambition and fragile hope. Their quiet bond deepens, even as a constant sense of danger lingers, whether from human threats or something more elusive lurking in the rainforest. Shot on 16mm, Super 8 and digital formats and screening on 35mm, Punku blends fairy tale textures, tropical gothic atmosphere and lived reality into a film that feels tactile, unsettling and deeply human.

The film had its world premiere in the Berlinale Forum and continues Fernández Molero’s reputation as one of the most adventurous voices in contemporary Peruvian and Andean cinema. For New York audiences interested in Latin American film, Indigenous storytelling and boundary-pushing narrative cinema, Punku is a screening not to miss.

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Sirat
Feb
6
to Apr 30

Sirat

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A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar — daughter and sister — who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading, but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

“The sort of overwhelming cinematic experience and undeniable work of sound and vision that could be life-changing for those ready to receive it.” – Rolling Stone

Director Oliver Laxe

Cast Sergi López, Bruno Núñez, Stefania Gadda, Joshua Liam Henderson, Tonin Janvier

Country France, Spain | Language Spanish and French with English subtitles | Running Time 115 minutes

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A Poet (Un poeta)
Jan
28
to Feb 28

A Poet (Un poeta)

A Poet (Un poeta) is a sharp, darkly funny Colombian film that takes aim at artistic ego, failure and the uneasy hope of second chances. Directed by Simón Mesa Soto, the Cannes Un Certain Regard Jury Prize winner follows Oscar, a middle aged writer in Medellín who has long since given up on his dreams. Unemployed, living with family and drifting through the city in a haze of frustration and alcohol, Oscar sees himself as a misunderstood artist while the world keeps moving on without him.

Things shift when he is asked to mentor a talented young student, opening the door to possible redemption. What follows is a painfully funny and unpredictable journey as Oscar struggles to do the right thing without sabotaging himself along the way. First time actor Ubeimar Rios delivers a standout performance, blending humor and vulnerability in a character who feels all too real.

Opening January 30 at IFC Center in New York and the Laemmle Royal in Los Angeles, with additional U.S. cities to follow, A Poet continues Mesa Soto’s run as one of the most distinctive voices in contemporary Latin American cinema. Winner of multiple international awards and Colombia’s official submission for Best International Feature at the Academy Awards, the film offers a bracing look at creativity, morality and the quiet chaos of trying to start over. For fans of Colombian cinema, international films and character driven dark comedies, this is one to seek out in theaters.

The film opens Friday, January 30, at IFC Center in New York City and the Laemmle Royal in Los Angeles, with additional U.S. cities to follow, including Miami, Chicago, San Francisco, and Seattle. Mesa Soto will appear in person for Q&A sessions at sneak preview screenings on January 28 and 29 at the IFC Center, as well as during opening weekend at the Laemmle Royal.

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Latino and Latin American Films at Sundance 2026
Jan
22
to Feb 1

Latino and Latin American Films at Sundance 2026

The 2026 Sundance Film Festival, running January 22 through February 1, once again offers space for Latino and Latin American filmmakers to tell stories that feel personal, political, and deeply human. This year’s lineup includes films that move between documentary and fiction, memory and history, intimacy and resistance. From Mexico and Puerto Rico to Colombia and Japan, these selections reflect the range of experiences shaping contemporary Latino cinema today. Here are five Sundance 2026 films worth keeping on your radar.

Jaripeo

Directed by Efraín Mojica and Rebecca Zweig

Set within the rodeo culture of Michoacán, Jaripeo explores queer identity inside a traditionally masculine world. The film blends observation and memory to create an intimate portrait of desire, belonging, and the complicated emotions tied to home.

American Pachuco: The Legend of Luis Valdez

Directed by David Alvarado

This documentary traces the life and impact of Chicano theater and film pioneer Luis Valdez. From El Teatro Campesino to Zoot Suit and La Bamba, the film shows how Valdez reshaped American storytelling by insisting that Chicano stories belong at the center.

The Huntress (La Cazadora)

Directed by Suzanne Andrews Correa

Set in Ciudad Juárez and inspired by real events, The Huntress stars Adriana Paz as a mother pushed to the edge by violence and injustice. The film centers fear, rage, and determination as she fights to protect her daughter in a city where women are rarely protected.

TheyDream

Directed by William David Caballero

After years of filming his Puerto Rican family, a filmmaker and his mother turn to animation to process loss and memory. Using home videos and motion capture, TheyDream becomes a tender meditation on grief and the act of remembering.

Ha Chan, Shake Your Booty!

Directed by Josef Kubota Wladyka

This character-driven drama follows a ballroom dancer grieving the loss of her partner in Tokyo. When she returns to dance, new relationships and emotions begin to surface. Starring Alberto Guerra, Alejandro Edda, and Damián Alcázar, the film blends movement, romance, and healing.

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Magellan (Magalhães)
Jan
5
to Mar 31

Magellan (Magalhães)

Magellan is a sweeping historical drama from acclaimed Filipino filmmaker Lav Diaz that reexamines the life of Ferdinand Magellan through a sharply decolonial lens. Starring Gael García Bernal, the film traces the Portuguese explorer’s journey from restless idealist to authoritarian figure, offering a complex portrait that challenges the heroic myths often attached to his name.

Set across Portugal, Spain, and Southeast Asia, the story follows Magellan as he joins a Spanish expedition under King Carlos I and gradually reveals his capacity for cruelty and control. As the voyage unfolds, his leadership turns violent and destructive, particularly in the Philippines, where the film centers on the lasting impact of colonial ambition. Quiet, intimate moments with his wife Beatriz, played by Ângela Azevedo, reveal a more conflicted and human side that deepens the narrative.

Running 160 minutes and told in multiple languages, including Portuguese, Spanish, and Tagalog, Magellan is Lav Diaz’s first color feature in more than a decade. The film pairs its epic scale with a patient, observational style that gives equal weight to landscapes, weather, and human presence. Rather than glorifying conquest, this international co-production invites viewers to reflect on power, legacy, and resistance, making it essential viewing for audiences interested in historical cinema, anti-colonial storytelling, and bold world cinema.

ScREENING DATES:

January 5, 2026: Special Advance Screening with Director Q&A at Roxie Theater in San Francisco

January 9, 2026: Opens in New York (IFC Center) and Los Angeles

January 16, 2026: Opens in San Francisco

March 6, 2026: Rhinebeck, NY & Akron, OH

March 8, 2026: Washington D.C.

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Cronos
Dec
31
to Jan 24

Cronos

Guillermo del Toro made an auspicious and audacious feature debut with CRONOS, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly antiques dealer Jesús Gris (Federico Luppi) happens upon an ancient golden device in the shape of a scarab, and soon finds himself the possessor and victim of its sinister, addictive powers, as well as the target of a mysterious American named Angel (a delightfully crude and deranged Ron Perlman). Featuring marvelous makeup effects and the haunting imagery for which del Toro has become world-renowned, CRONOS is a dark, visually rich, and emotionally captivating fantasy.

  • Country: Mexico

  • Language: Spanish with English subtitles

  • Year: 1993

  • Running Time: 93 minutes

  • Format: 4K Restoration

  • Distributor: Janus

  • Director: Guillermo del Toro

  • Cast: Federico Luppi, Ron Perlman, Claudio Brook, Margarita Isabel, Tamara Shanath

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We Shall Not Be Moved (No nos moverán)
Dec
11
to Jan 19

We Shall Not Be Moved (No nos moverán)

Mexico’s Oscar Submission We Shall Not Be Moved Expands Its U.S. Release

We Shall Not Be Moved (No nos moverán), Mexico’s official submission for Best International Feature at the 98th Academy Awards, is continuing its U.S. theatrical rollout after a strong run in New York. The film has earned praise from critics, including a spot on New York Film Critics Online’s list of the best international films of the year. It now heads to San Francisco for a one-week engagement at the Roxie Theater starting December 18, and then to the Museum of Fine Arts Houston for screenings on January 16 and 18. A U.S. streaming date is on the way.

The debut feature from filmmaker Pierre Saint Martin is a dark dramedy that looks closely at the long shadow of the 1968 Tlatelolco massacre. Shot in black and white, the story centers on Socorro, a retired lawyer played by Luisa Huertas, who has spent decades searching for the soldier she believes killed her brother during the student protests in Mexico City. Her obsession has put a strain on her family, yet she refuses to let go of the past. When a new lead surfaces, she considers taking matters into her own hands and becomes determined to confront the truth she has been chasing since her youth.

The film has been one of the most talked-about Mexican releases of the year. It premiered at the Guadalajara International Film Festival, where it won Best Mexican Film and the Audience Award, and it later earned four Ariel Awards, including Best First Feature and Best Actress. It has also played at more than forty film festivals around the world.

Emotionally grounded and rooted in both personal and national memory, We Shall Not Be Moved explores how the unresolved trauma of political violence can ripple across generations. It is a powerful story that speaks to the resilience of families and communities who continue to demand justice.

Screening Schedule:
San Francisco, CA: Roxie Theater. Opens Thursday, December 18.
Houston, TX: Museum of Fine Arts, Houston. Friday, January 16, and Sunday, January 18.

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Borderland | The Line Within
Dec
1
to Apr 30

Borderland | The Line Within

Borderland | The Line Within dives deep into the human and economic toll of the border industrial complex. This powerful immigration documentary examines how systems built on profit shape the lives of migrant communities through exploitation, detention, and deportation. Combining intimate personal stories with striking data visualizations, the film shows that the border is not just a line on a map—it’s a network of policies, business interests, and enforcement practices that touch communities far beyond the U.S.-Mexico border.

Catch this eye-opening documentary at the Savoy Theater in Montpelier, Vermont on December 13 at noon. The free screening includes a post-film discussion with directors Pamela Yates and Paco de Onís. Donations are welcome to support Migrant Justice, and you can reserve your seat or make a contribution through the Savoy.

Borderland will also screen at Davidson College in North Carolina on February 18, 2026, at 4:30 p.m., followed by a conversation with the filmmakers and additional speakers to be announced.

If you are looking for a documentary that blends investigative rigor with moving personal narratives, this immigration documentary and Latino-centered film is a must-see. Don’t miss the chance to explore the complex realities behind the headlines and be inspired to take action.

Upcoming Screenings

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The Secret Agent (O Agente Secreto)
Nov
26
to Apr 5

The Secret Agent (O Agente Secreto)

The Secret Agent is the latest film from Brazilian director Kleber Mendonça Filho, arriving as one of the most talked-about international releases of the year. Set during Carnival week in 1977, the story follows Marcelo, a widowed technology researcher who arrives in Recife just as Brazil’s military dictatorship tightens its grip. What begins as a routine trip quickly turns dangerous as Marcelo becomes an unexpected target, forced to navigate a city alive with music, color, fear and political tension.

Starring Wagner Moura in a gripping lead performance, this Brazilian political thriller blends suspense, history and atmosphere with Mendonça Filho’s signature sense of place. Recife feels vibrant and volatile, with crowded streets, shadowy interiors, and a constant sense that danger could surface at any moment. As Marcelo runs from hired killers and unresolved memories, the film captures how authoritarian power seeps into everyday life, even during moments meant for celebration.

A NEON release and an official Cannes Film Festival standout, The Secret Agent adds another essential chapter to Mendonça Filho’s filmography and showcases Moura in one of his most compelling roles to date. For audiences drawn to international cinema, neo noir storytelling and politically charged dramas, this Brazilian film is a must-see on the big screen.

Buy tickets here.

Playing at the Lake Worth Playhouse in Florida.

WED APRIL 1 at 1 PM (post screening film discussion)
FRI APRIL 3 at 6 PM
SAT APRIL 4 at 2 PM and 5 PM
SUN APRIL 5 at 2 PM

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Lost & Found: Cine(Ma)S Latinoamericanos Re-Unidos
Nov
19
to Dec 17

Lost & Found: Cine(Ma)S Latinoamericanos Re-Unidos

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New York City, despite its status as a world capital of cinema, regularly misses out on screenings of many key international films. Though the exhibition of Latin American cinema in the city has drastically increased over the years, a considerable number of influential movies from the region still fail to premiere locally. In 2017, Anthology Film Archives and Cinema Tropical joined forces to create an ongoing series – programmed by Matías Piñeiro and Carlos A. Gutiérrez – of monthly screenings featuring remarkable Latin American films making their local premiere. The series (formerly entitled “If You Can Screen It There”) was paused following the pandemic, but it’s now revived and rechristened as “Lost & Found: Cine(ma)s Latinoamericanos Re-Unidos”. Far from minor works, the films included here are by some of the region’s most important filmmakers, have garnered major awards at international festivals, and provide an important window into the often-overlooked world of Latin American cinema.

Co-presented by Anthology Film Archives and Cinema Tropical. Programmed by Matías Piñeiro and Carlos A. Gutiérrez.

Upcoming Screenings

NORTH AMERICAN PREMIERE!
César González
PLEBEIAN ULYSSES / ULISES PLEBEYO
Argentina, 2024, 68 min, digital. No dialogue.
“Prolific Argentine filmmaker and poet César González has been crafting one of the most original and groundbreaking bodies of work in contemporary Argentine cinema. Yet, far too little of it has been screened in the U.S. – and it’s time to change that. González has authored books of poetry, novels, and essays on cinema, that depict life on the margins of society – a life he has lived and continues to live intensely. This experience resonates deeply in each of his films. 

NEW YORK PREMIERE!
Celeste Rojas Mugica
AN OSCILLATING SHADOW / UNA SOMBRA OSCILANTE
Chile, 2024, 72 min, DCP. In Spanish with English subtitles.
“A game played by two – a father and a daughter. This game, involving chemicals in a film lab, becomes a bridge between two generations who understand and experience photography in very different ways. Will they be able to understand each other? Will they reconnect after the scars of a violent national history, exile, and complex family dynamics? Artist Celeste Rojas Mugica crafts a hybrid, first-person film that reconstructs, with singular humor and a precise touch, the memory of her father amid the political violence of Chile’s dictatorship. Winner of the Jury Special Mention at FIDMarseille 2024, AN OSCILLATING SHADOW embraces the ontology of cinema to explore how images from the past can still illuminate our present selves – especially within our most intimate and sensitive circles.” –Matías Piñeiro

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Serious People
Nov
14
to Nov 30

Serious People

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Successful music video director Pasqual Gutierrez is faced with a dilemma on the due date of his firstborn child: a job offer for his biggest video yet. Frustrated with his poor work-life balance, Gutierrez casts a doppelgänger named Miguel to take over his work duties in his director duo Cliqua as he prepares to take an extended paternity leave. But as Pasqual starts to spend more time with Miguel to teach him how to step into this new role, Pasqual's relationship and his work suffer, ending with a disastrous music video shoot. SERIOUS PEOPLE explores what it means to be a “director,” a parent, and the replaceability of people in clout-heavy Los Angeles.

WRITTEN AND DIRECTED BY: Pasqual Gutierrez & Ben Mullinkosson

PRODUCED BY: Ryan Hahn, Laurel Thomson, Teddy Lee

STARRING: Pasqual Gutierrez, Christine Yuan, RJ Sanchez, Miguel Huerta

OFFICIAL SELECTION: SUNDANCE FILM FESTIVAL 2025

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Between Borders and Voices: The Cinema of Bernardo Ruiz
Nov
1
to Nov 24

Between Borders and Voices: The Cinema of Bernardo Ruiz

Join the celebration of the first-ever retrospective of the three-time Emmy-nominated Mexican-American filmmaker,

Programmed by Carlos A. Gutiérrez, this multi-venue celebration of five feature films—each followed by in-person Q&A sessions with the filmmaker and special guests—will take place at the Museum of the Moving Image, the Firehouse Cinema at DCTV, the CUNY Graduate Center, the Maysles Documentary Center, and New York University’s Espacio de Culturas throughout November 2025.

Born in Guanajuato, Mexico, and raised in Brooklyn, Ruiz's bicultural upbringing shaped his acute sensitivity to the intersections of identity, migration, and belonging. His films, characterized by investigative rigor and lyrical restraint, bear witness to histories often erased from mainstream accounts, grounding political critique in lived experience and everyday resilience.

For almost two decades, Ruiz has pursued a clear, unflinching mission: to craft rigorous, socially engaged documentaries that amplify voices too often pushed to the margins. His films illuminate the lives of journalists, farmworkers, migrants, Indigenous runners, and human rights advocates—figures who rarely occupy the center of media narratives, yet whose stories reveal urgent truths about power, violence, and resilience.


Film Schedule & Descriptions:

El Equipo
(Bernardo Ruiz, USA, 2023, 80 min. In Spanish and English with English subtitles)
Working with a trove of archival materials spanning four decades and unfolding as part procedural, part true crime thriller, El Equipo chronicles the history-making collaboration between Dr. Clyde Snow, a legendary forensic scientist originally from Texas, and a group of Argentine university students, who were dubbed "unlikely forensic sleuths" by The New York Times. With an unprecedented access to the Argentine Forensic Anthropology Team and its archives, the fifth feature film by director Bernardo Ruiz offers a welcome twist to the traditional true crime film by focusing on systemic political and human rights abuses rather than on one-off tales of murder or lone serial killers, and deftly creates a direct link between state atrocities from the past and present.
Saturday, November 1, 6:30pm at Museum of the Moving Image

Reportero
(Bernardo Ruiz, USA/Mexico, 2012, 72 min. In Spanish with English subtitles)
Bernardo Ruiz's acclaimed debut feature Reportero follows veteran reporter Sergio Haro and his colleagues at Semanario Zeta, a Tijuana-based muckraking weekly, as they persist in their work in one of the deadliest places in the world for journalists. Since the paper’s founding in 1980, two editors have been murdered and the founder viciously attacked. Former editor Francisco Ortiz was gunned down just after buckling his two children into the back seat of his car, killed for printing the names and faces of drug traffickers who had long operated with impunity. Gripping and timely, Reportero confronts the violence, corruption, and power struggles along the border. As the drug war intensifies and the threats to journalists grow, the film asks a pressing question: will the free press be silenced?
Wednesday, November 5, 7pm at Firehouse: DCTV's Cinema for Documentary Film

The Infinite Race
(Bernardo Ruiz, USA/Mexico, 2020, 70 min. In Spanish and English with English subtitles)
The Infinite Race follows an annual marathon in Mexico’s Copper Canyon, where the indigenous Rarámuri—renowned for their endurance—compete in a grueling long-distance race. Founded in 2004, the event honors Rarámuri traditions and supports the community, including essential corn vouchers. With stunning cinematography and intimate access to the runners, the film explores tensions beneath the race: cultural appropriation, economic pressures, and the threat of drug cartels. When violence threatens the next race, the complexities of the organizers and the global spotlight come into focus. Amid these challenges, the film offers a vivid portrait of a resilient people whose connection to land and tradition endures—race or no race, the Rarámuri continue to run.
Monday, November 10 at CUNY Graduate Center

Harvest Season
(Bernardo Ruiz, USA, 2018, 83 min. In Spanish and English with English subtitles)
Harvest Season delves into the lives of the people who make California's premium wine possible, following Mexican-American winemakers and migrant workers whose labor is essential yet often overlooked. Set against one of the most dramatic grape harvests in recent memory, the film immerses viewers in the rhythms and challenges of the Napa and Sonoma Valleys, where wildfires, a growing labor shortage, shifting immigration policies, and climate change threaten livelihoods. Through the stories of three individuals deeply rooted in the craft, director Bernardo Ruiz captures the intimacy, dedication, and resilience behind every vine and vintage, offering a lush and immersive portrait of an industry—and the people—at the heart of it.
Friday, November 21 at the Maysles Documentary Center

Kingdom of Shadows
(Bernardo Ruiz, USA, 2015, In Spanish and English with English subtitles)
Bernardo Ruiz takes an unflinching look at the hard choices and destructive consequences of the U.S.-Mexico drug war, weaving together the stories of a U.S. drug enforcement agent on the border, an activist nun in violence- scarred Monterrey, Mexico, and a former Texas smuggler, to reveal the human side of an often misunderstood conflict that has resulted in a growing human-rights crisis that only recently has made international headlines.
Monday, November 24 at Espacio de Culturas at New York University

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The Reel Film Club: The Weasels’ Tale
Oct
28
6:00 PM18:00

The Reel Film Club: The Weasels’ Tale

Juan José Campanella pays tribute to the golden age of Argentinean cinema in his first live action film since “The Secret in Their Eyes.” Legendary actress Maya Ordaz (Graciela Borges from “La Ciénaga”), her wheelchair-bound husband Diego (Luis Brandoni), retired film director and weasel hunter Norberto (Oscar Martínez) and scriptwriter Martin (Marcos Mundstock) live together in a old mansion. Their bickering and constant clashes are no different than the ones they once experienced on a movie set. That may come to an end now that she plans to sell the mansion to an unscrupulous millennial couple. “The Weasels’ Tale” is a deliciously witty and sharply written dark comedy.

The Weasels’ Tale / El cuento de las comadrejas

Genre: Comedy

Argentina/Spain/2019/126 min. • Directed by Juan José Campanella • Spanish w/ English Subtitles

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Austin Film Festival
Oct
25
to Oct 29

Austin Film Festival

Cine Las Americas is proud to partner with Austin Film Festival to highlight exceptional storytelling from Mexico.

(DON’T KNOW) HOW TO BE / (NO SÉ) CÓMO SER

Written by Tato Alexander and directed by Salvador Espinosa, the film follows Majo and Cris as a simple family dinner spirals into a hilarious generational showdown where everyone’s just trying to figure out how to be. 85 mins.

Sat, Oct 25 @ 3:30 PM

Wed, Oct 29 @ 6:45 PM

SACRIFICIOS

A psychological horror by writer/director Mauricio Chernovetzky and writer Alexander Ioshpe, this haunting tale follows Juan, who after an unbearable loss seeks solace in the sea, where a miraculous event may change everything... but at what cost? 92 mins. Filmmakers in attendance

Sat, Oct 25 @ 9:50 PM

Mon, Oct 27 @ 9:30 PM

These screenings will be held at Galaxy Theatre, 6700 Middle Fiskville Rd, Austin, TX.

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Cine de Muertos
Oct
25
11:00 AM11:00

Cine de Muertos

Cine de Muertos is a full-day experience that honors the spirit of Día de Muertos through film screenings, art, and community. Produced in partnership between the Houston Latino Film Festival and ALMAAHH, this one-day event brings together filmmakers, artists, poets, and audiences to celebrate Latine storytellers and the cherished traditions of Día de Muertos.

A DAY IN TWO ACTS

  • Día de Muertos (Daytime Program - Two screenings) The day begins with an homage to the cultural traditions of Día de los Muertos. Through a curated selection of short films and a feature film, we celebrate stories that connect us to the beloved holiday.

  • Noche de Muertos (Evening Program - Two screenings) Noche de Muertos features a selection of genre-bending horror films created by independent Latino filmmakers.

Program Highlights

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Program Highlights 〰️

THE MOST BEAUTIFUL DEATHS IN THE WORLD
LAS MUERTES MÁS BELLAS DEL MUNDO
Directed by Quique Aviles & Ellie Walton
Documentary / 71 min / USA

1980 marked the beginning of an exodus of Salvadorans fleeing a US-backed war, with tens of thousands of people making the Washington, DC region their new home.   The film explores how artists grapple with multi-generational traumas and loss as they reclaim their own stories and build a sense of belonging in the diaspora.

A FISHERMAN’S TALE
UN CUENTO DE PESCADORES

Directed by Edgar Nito
Horror / 103 mins / Mexico

Legend says that years ago, nature thrived in harmony around the lake and its islands until evil arrived. Men, blinded by dark desires, brought fear, hate, and death. The fishermen call it 'La Miringua', the one that drags and drowns you in the lake for your sins.

WHEN:

Saturday, October 25, 2025

11:00AM - 8:15PM
VIEW EVENT SCHEDULE

WHERE:
Aurora Chapel (formerly 14 Pews)
800 Aurora St.
Houston, TX 77009

ADMISSION: $15.00 for a Day Pass. $5 for Single Tickets.
BUY TICKETS

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San Francisco Latino Film Festival
Oct
23
to Nov 6

San Francisco Latino Film Festival

The annual San Francisco Latino Film Festival (SFLFF) will celebrate the best in Latine cinema, running from October 23 through November 6. The opening film is ASCO: Without PERMISSION.

This year's selection of feature films is a powerful collection of narratives and documentaries from across the Americas and the diaspora, including the following short list:

  • A House With Two Dogs (Argentina): In the midst of a collapsing economy, a young boy and his family are forced to move in with his grandmother, where a strange war over shared spaces leads him to an unexpected and personal act of resistance.

  • American Agitators (USA): Directed by Bay Area documentarian Ray Telles. A father-son duo, Fred Ross and Fred Ross, Jr., travel the country, using their unique connection to empower people from all walks of life, one vote at a time. Fred Ross, Cesar Chavez, Dolores Huerta, Luis Valdéz, and others share lessons learned. Filmmaker in attendance.

  • The Dog, My Father and Us (Ecuador): When a 45-year-old architect is fired for having an affair, he must regain control of his chaotic life, all while navigating a sick father, an aspiring YouTube star for a son, and a crumbling marriage. Filmmaker in attendance.

  • The Leap of Angels (Venezuela): When his father leaves for the gold mines, a 12-year-old boy must embark on a treacherous journey to overcome his fears and find him, leaving his childhood behind forever.

  • Violent Butterflies (Mexico): A punk singer and a graffiti artist find love and rebellion in a world of social unrest, but when they become victims of the very police brutality they are fighting against, revenge becomes their only form of justice.

Beyond the features, the SFLFF is proud to present a diverse and impactful selection of short films, showcasing fresh, immediate voices in Latin cinema. There are eight shorts programs in several genres. Visit the Festival Platform or CineMasSF.org for details.

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Kiss of a Spider Woman
Oct
10
to Nov 10

Kiss of a Spider Woman

Dreamgirls and Beauty and the Beast director Bill Condon returns to the movie musical in this dazzling Technicolor-hued fantasy. Valentín (Diego Luna), a political prisoner, shares a cell with Molina (Tonatiuh), a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna (Jennifer Lopez). Based on the Tony Award-winning Broadway musical hit.

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Brownsville Bred
Sep
26
to Nov 3

Brownsville Bred

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In the 1980s in Brownsville, Brooklyn, Elaine is on the cusp of adolescence. Adapted from an acclaimed autobiographical stage play and Young Adult novel, Brownsville Bred is both a father-daughter story and a raw portrait of urban American Latina life. Elaine wrestles with her mother’s resilience, the father she resents, and the chaos outside her window—while confronting the decline of her once-idolized salsa musician father, discovering her Puerto Rican roots, and finding the courage to forge her own path.

UPCOMING SCREENINGS

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UPCOMING SCREENINGS 〰️

STUART CINEMA CAFE

79 West Street, Brooklyn, NY

November 1 - 2

THE PICTURE HOUSE

84 Kraft Avenue, Bronxville, NY

November 3

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Estimados Señores
Aug
26
6:00 PM18:00

Estimados Señores

Watch the Untold Story of Colombia’s Fight for Women’s Rights in Chicago

Reel Film Club returns with a special screening of Estimados Señores (Dear Gentlemen) on Tuesday, August 26 at FACETS in Chicago. The evening includes a pre-screening reception with appetizers and a cash bar starting at 6 p.m., followed by the film at 7 p.m.

Set in 1954 Colombia, Estimados Señores tells the powerful true story of a group of women who led the charge for women’s suffrage. At the center of the movement is Esmeralda Arboleda, one of the country’s first female lawyers, who faced fierce backlash as she and her fellow activists pushed for constitutional change. Through bold media campaigns, marches, and radio appearances, these women made history.

Directed by Patricia Castañeda in her feature debut, the film offers a moving and timely portrait of resilience in the face of political resistance. It’s a must-see for fans of Latin American history, political dramas, and stories about fearless women.

🎟️ Tickets are $20 general admission or $15 for ILCC members.

Screening in Spanish with English subtitles.

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Reinas (Queens)
Jul
29
6:00 PM18:00

Reinas (Queens)

Don’t Miss the Award-Winning Peruvian Drama Reinas in Chicago

On Tuesday, July 29, Reel Film Club presents Reinas (Queens) at FACETS in Chicago. The evening includes a pre-screening reception with appetizers and a cash bar starting at 6 p.m. The screening begins at 7 p.m.

Set in Peru during a tense political moment in 1992, this moving drama follows a mother named Elena as she tries to leave the country with her daughters, Lucía and Aurora, during the aftermath of President Alberto Fujimori's power grab known as the fujimorazo. To leave, Elena needs the signature of her estranged ex, Carlos, a man with little to offer but a last chance to connect with the children he barely knows.

Directed by Klaudia Reynicke, Reinas has won major awards at the Berlinale and Festival de Lima, earning praise for its honest portrayal of family bonds during political upheaval. If you’re drawn to intimate stories set against the backdrop of Latin American history, this one is for you.

🎟️ Tickets are $20 general admission or $15 for ILCC members.
Screening in Spanish with English subtitles.

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Before We Forget
Jul
11
to Aug 17

Before We Forget

Before We Forget Hits Theaters This July

What happens when your first love never quite leaves you? Before We Forget, the debut feature from Juan Pablo Di Pace and Andrés Pepe Estrada, follows Matias, a filmmaker who decides to revisit the unfinished story of a close teenage friendship that shaped him. Back in 1997, Matias met Alexander, a Swedish classmate at boarding school, and their brief but powerful connection has stayed with him ever since.

Now, 25 years later, Matias searches for closure by reconnecting with Alexander. Blending flashbacks with present-day drama, the film moves between memory and reality to explore how first love lingers. Executive produced by the late Norman Lear, the film stars Di Pace (Fuller House, Mamma Mia!) alongside a talented international cast.

Before We Forget opens July 11 in New York and July 18 in Los Angeles, with more cities to follow on July 25.

📅 See confirmed dates and grab tickets here: beforeweforgetmovie.com/theatrical.php


🎬 Watch the trailer below.

Cinema Village NYC • July 11-17, 2025

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Laemmle Theatres Los Angeles • July 18-24, 2025

Cinema Village NYC • July 11-17, 2025 〰️ Laemmle Theatres Los Angeles • July 18-24, 2025

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